| Franz Martin Olbrisch | Info works texts audio video scores photos | DE EN FR | ||
| contemporary music theatre
orchestral works ensemble works chamber music solo works fixed media installation & environment performance & scenic music chronologically |
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Wikipedia
Akademie Noten Schott Discogs |
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| year of origin | scores | works (chronologically) |
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| 2025 | Machinations of numbers fixed media — 33min First broadcast on October 11, 2025, on hr2 Frankfurt |
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| 2024 | SoundCard Seoul radio sound art — 61min Collaborative composition with Beate Olbrisch First broadcast on June 15, 2024, on hr2 Frankfurt |
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| Ponso no Tao fixed media — 1min Premiere on April 29, 2024, at the Music and Arts University of the City of Vienna |
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| 2023 |
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Flow IV - for Jörn Peter Hiekel solo work — 5min for Soprano crack frog and live electronics Premiere on 16 November 2023 at the Dresden University of Music |
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do krve - bis aufs Blut contemporary music theatre — 55min for soprano, alto, countertenor, bass, 2 narrators, 8 instruments, and electronics based on texts by Karel Jaromír Erben Radio production First broadcast on 16 September 2023 on hr2 Frankfurt |
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| 2022 | Wenn du drinn bist, dann funktioniert es radio sound art — 61min Collaborative composition with Beate Olbrisch First broadcast on April 23, 2022, on hr2 Frankfurt |
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| 2021 | Distanz sound installation (8.0) Premiere on October 7, 2021, at the Kulturpalast Dresden (Dresden Philharmonic Orchestra) |
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| Tagtraum der Eule sound and video installation collaborative project with Beate Olbrisch Premiere on September 24, 2021, at the Japanese Palace in Dresden |
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’ (Apostroph) concert environment — 31min for flute, oboe, clarinet, viola, cello, 7 sound objects, video, and live electronics unperformed |
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| 2020 | …cité… fixed media — 33min First broadcast on November 14, 2020, on hr2 Frankfurt |
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…suggests that something may be orchestral work — approx. 15min for orchestra: 2.1.2.1 - 2.3.3.2 - perc(2) - piano - strings: 3.0.2.2.1 - live electronics Premiere on July 5, 2021, at the German Hygiene Museum in Dresden |
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| 2019 | ![]() |
Elf Episoden chamber music — approx. 16min for flute, keyboard instruments and live electronics Premiere on 23 August 2019 at the Weimar Art Festival Preview performance on 23 May 2019 at the Saxon Mozart Festival in Chemnitz |
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| 2018 | …Europe – the spectre… radio sound art — 7min First broadcast on 5 May 2018 on hr2 Frankfurt |
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| 2017 | Farben des Lichts im Hafen Ch"ungmu radio sound art — 39min First broadcast on 11 November 2017 on hr2 Frankfurt |
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rewrite 114 ensemble work — approx. 14min for fl, ob, cl, bsn, hn, tr, tmb, perc (2), e-git, pno, 2 vln, vla, vlc, cb & live-electr Premiere on 20 June 2017 at the 2nd Nasz Festiwal Wrocław |
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| 106 - zerkratzt verbogen fixed media — 4min released on : Broken Beethoven © 2020 by Müzik Hayvanı — MH-VS-01 |
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| 2016 | ![]() |
…stesso… chamber music — approx. 13min for clarinet, cello and piano Premiere on 1 December 2016 at the Blaue Fabrik Dresden |
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| 2015 | ![]() |
couler… solo work — approx. 11min for clarinet and live electronics Premiere on 13 November 2015 at the ByPass Festival Toulouse |
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| fluido fixed media — 21min First broadcast on 10 October 2015 on hr2 Frankfurt |
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| fluido fixed media (CD Version) — 8min released on : 8 Gefühle - a tribute to Helmut Lachenmann © 2015 by Ensemble Modern Medien — EMCD-031 |
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| Dennoch lauert im Gesang der Vögel das Schreckliche sound installation Premiere on 24 April 2015 at the Witten Days for New Chamber Music |
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| 2014 | rods and strings concert environment for 1-20 instruments, sound objects, video and live electronics Premiere on 14 August 2014 at the 47th International Summer Courses for New Music in Darmstadt |
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| 2013 | ![]() |
Ringing solo work — approx. 35min for Carillon solo Premiere on 21 September 2013 at the CARILLON in Berlin's Großer Tiergarten |
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| 2012 | Am Rande (Hessenwinkel) radio sound art — 41min First broadcast on 29 December 2012 on hr2 Frankfurt |
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fi b solo work — approx. 1-2min for bass clarinet Premiere on 26 November 2012 at Villa Elisabeth Berlin |
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| 2011 | Promitheys in Fukushima orchestral work — approx. 18min for orchestra : 2.2.2.2 - 2.2.2.1 - perc(3) - wii(2) - hrf - strings Premiere on 17 May 2011 at the Congress Hall in Saarbrücken |
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| 2010 | palinsesto sound installation Premiere on 12 November 2010 in the foyer of the WDR Funkhaus in Cologne |
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Craquelé orchestral work — approx. 17min for orchestra : 4.3.4.3 - 4.4.3.1 - timp(1).perc(3) - pno - hrf - strings: (13.13.11.9.6) Premiere on 22 October 2010 in the hr broadcasting hall in Frankfurt released on : franz martin olbrisch - Craquelé |
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coupures de temps… ensemble work — approx. 13min Version for flute, clarinet, violin, viola, cello, percussion and live electronics Premiere on 19 July 2010 at the 45th International Summer Courses Darmstadt released on : franz martin olbrisch - Craquelé |
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| 2009 | ![]() |
coupures de temps… ensemble work — approx. 15min Version for flute, clarinet, violin, viola, cello and piano Premiere on 19 November 2009 in the Klaus von Bismarck Hall at WDR Cologne |
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| Syphon sound installation Premiere on 1 October 2009 at the Festspielhaus Hellerau Dresden |
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| infinito blanco sound installation Premiere on 6 March 2009 in the Goldhalle of the hr broadcasting hall in Frankfurt |
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| gleichzeitig - ohne ende fixed media — 65sec Premiere on 8 February 2009 at Pfefferberg Haus 13 Berlin released on : Allegro Praestat |
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| 2008 | Stimmen, Gassen, Stille wieder, wie zuvor sound installation Premiere on 13 September 2008 in Rochlitz |
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| Augenblicke, in denen die Zeit sich spiegelt Concert environment — approx. 42min Concert environment for video projectors, playback tape and live musicians Premiere on 26 April 2008 at the Witten Days for New Chamber Music (Märkisches Museum) |
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| Foyer-Sequenz Play score for a theatregoer unperformed |
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| 2007 | Garten der Klänge radio sound art — 52min First broadcast on 12 January 2008 on WDR3 Cologne |
WDR 3 | ||
| between walls sound installation for 7 groups of loudspeakers Premiere on 7 September 2007 in the Colditz Castle Chapel |
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curved ringing solo work — approx. 21min for carillon and playback tape Premiere on 5 August 2007 at the CARILLON in Berlin's Großen Tiergarten |
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| 2006 | Spah-Lenz fixed media — 8sek released on : CrossCut Edition - 20 Jahre Edition Zeitgenössische Musik |
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| Bläserballett Music for the performance of the same name by Gisela Weimann — approx. 21minn for clarinet, saxophone, trumpet and trombone Premiere on 27 August 2006 at the Karl Hofer Society in Berlin |
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| Schichtwechsel — temps et mouvement concert environment for 12 loudspeakers and 3 video projectors — 35min Premiere on 6 August 2006 at the 43rd Intern. Darmstadt Summer Courses for New Music Premiere of the final version on 17 October 2008 as part of the Donaueschingen Music Festival |
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Cross Creek Road ensemble work — approx. 22min for trumpet, 2 flutes, e-guitar, e-bass, 2 cellos, 2 perc, playback tape & live electronics Premiere on 11 May 2006 at the Academy of Arts Berlin (Hanseatenweg) |
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| 2005 | ![]() |
creek chamber music — approx. 4min for flute, cello and percussion Premiere on 4 December 2005 at the Konzerthaus Berlin (Berlin meets Los Angeles in concert) released on : berlin meets los angeles |
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Grain orchestral work — approx. 25min for orchestra: 4.2.3.2 - 4.3.2.1 - timp(1).perc(5) - hrf - strings: (10.10.8.8.6) Premiere on 29 April 2005 in the attacca Geistesgegenwart Musik series in Stuttgart released on : franz martin olbrisch - Craquelé |
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| 2004 | Train Score for one actor and a night train Basel, 24 August 2004 |
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| personal spaces Audiovisual environment — Loop duration 13min Premiere on 20 June 2004 at the Kunsthalle Darmstadt |
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| 2003 | Van Ness fixed media — 2min Premiere on 15 November 2003 at the Pyramidale Festival in Berlin released on : 90 Sekunden Wirklichkeit |
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| city drives music video — 7min Premiere on 16 March 2006 at the VIPER Festival in Basel |
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| 2002 | pick⁄up fixed media — 11min First broadcast on 31 July 2002 on WDR3 Cologne Premiere of the eight-channel version on 21 January 2003 at the Ultraschall Festival Berlin |
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| I got involved in something I realize… sound environment Collaborative work with students from TU Berlin Premiere on 27 June 2002 at the Inventionen Festival Berlin (at the former Staatsbank) released on : 20 Jahre Inventionen IV |
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| 2001 | mit reichlich F & G chamber music — approx. 1min for oboe, cello and piano Premiere on 28 April 2001 at the Berlin University of the Arts |
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| el mundo haz de tus imágenes ensemble work — approx. 47min for narrator, clar, sax, trumpet, 2 vln, viola, cello, double bass, 2 perc & playback tape Premiere on 18 March 2001 at the Berlin Music Biennale |
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| 2000 | Twilight zone sound installation — loop duration 48min Premiere on 14 July 2000 at Hundisburg Castle |
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| Durch die tiefen Wege des Sommers sound installation — loop duration 43min Premiere on 14 July 2000 at Hundisburg Castle |
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| Liebeskuss sound installation — loop duration 33min Premiere on 14 July 2000 at Hundisburg Castle |
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Streunende Zahlen ensemble work — approx. 22min for fl, ob, clar, sax, tmb, violin, viola, cello, double bass, perc & piano Premiere on 19 June 2000 at the German Pavilion at EXPO 2000 in Hanover |
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| 1999 | ![]() |
in nomine ensemble work — approx. 2min for flute, oboe, clarinet, percussion, piano, violin, viola & cello Premiere on 24 April 1999 at the Witten Days for New Chamber Music released on : In Nomine - The Witten In Nomine Broken Consort Book |
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| Dissimilation sound installation — approx. 46min Scenic installation for narrator and 16 loudspeakers Premiere on 23 April 1999 at the Witten Days for New Chamber Music Excerpt released on : CD-Beilage zur Publikation KOMPOSITION KONSTRUKTION |
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Ein Quadratmeter Schwärze chamber music — approx. 21min for string quartet Premiere on 23 April 1999 at the Witten Days for New Chamber Music released on : Musik in Deutschland 1950-2000, Box 14 Vol. 163, Instrumentale Kammermusik - CD 5 Wider den Strich |
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| 1998 | ![]() |
Blanco ensemble work — approx. 22min for flute, oboe, clarinet, violin, viola, cello, percussion & piano Premiere on 5 February 1999 at the Eclat Festival in Stuttgart |
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5 Sätze aus Blanco chamber music — approx. 18min for wind trio 1. ohne name ohne rede 2. schon verkohltes licht über ein gefäß voll schatten 3. …das namenlose Komplott der Gebeine 4. Es brüllen die angeketteten Bäume 5. Meine Schritte entschwinden in einen Raum, der sich auflöst… Premiere of the 1st & 3rd part on 29 May 2003 at the Berlin University of the Arts |
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3 Sätz aus Blanco chamber music — approx. 15min for string trio 1. seele zwischen den empfindungen 2. der fluss der körper… …ein fluss von sonnen 3. snap-shot von einem pulsschlag der zeit Premiere of the 1st & 2nd part on 29 May 2003 at the Berlin University of the Arts |
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3 Sätze aus Blanco chamber music — approx. 16min for saxophone, percussion & piano 1. leidenschaft der mitleidenden glut 2. delta von armen der begierde 3. Die welt bündel deiner bilder Premiere of the 2nd part on 29 May 2003 at the Berlin University of the Arts |
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| études aux roulements chamber music — approx. 50min for percussion, piano and 16 groups of loudspeaker Collaborative composition with Enno Poppe and Arnulf Herrmann Premiere on 23 September 1998 at the Inventionen Festival Berlin (SFB radio play studio) |
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| score generated in real time | Auf den Wellen eines Meeres von Beziehungen solo work — approx. 21min for interactive audience, tuba and playback tape Premiere on 22 September 1998 Unerhörte Musik Berlin |
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| Frühlingsgefühle chamber music — approx. 11min Five Marginalia for voice and piano based on poems by Bert Papenfuß Premiere on 10 May 1998 in Ludwigslust (DLF, Stimmen im Frühling) |
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| Nachtstück chamber music — approx. 15min for narrator and string quartet based on a text by Octavio Paz Premiere on 16 May 1998 at the Westphalian Music Festival in Münster |
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| Face the Nation chamber music — approx. 11min for piano and narrator ad libitum to texts by Allen Ginsberg Premiere on 16 May 1998 at the Westphalian Music Festival in Münster |
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| 1997 | Aus dem Labyrinth der Zeiten und Orte radio sound art — 46min Montage from Von der Willkür der Beobachtung and FM o99.5 First broadcast on 11 November 1997 on RadioKultur, SFB Berlin |
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| différance sound & slideshow environment — approx. 33min Collaborative work with Beate Olbrisch Premiere on 16 August 1997 at Hundisburg Castle |
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| Tagtraum der Eule sound installation in 17 parts — loop duration approx. 57min Contribution to an exhibition by Norbert Eisbrenner First performance in summer 1997 at Hundisburg Castle |
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| 1996 | Von der Willkür der Beobachtung (7 musical aspects) radio sound art — approx. 60min for 3 narrators, voice, small orchestra and playback tape (I = ca 6’; II = ca 5’; III = ca 15’; IV = ca 10’; V = ca 13’; VI = ca 4’; VII = ca 8’) First broadcast of the radio production on 3 December 1996 on SR Radiotop Premiere of the shortened version on 8 November 1997 at Klangwerkstatt Berlin |
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| 31 wohlgeordnete Episoden zu Ehren des ungläubigen Thomas ensemble work — approx. 65min for flute, bassoon, horn, tuba, harp, 2 violins, viola, cello and; playback tape Collaborative composition with Kirsten Reese and Jens-Uwe Dyffort Premiere on 8 November 1996 at Klangwerkstatt Berlin |
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| diskontinuum fixed media — approx. 26min released on : Martin Olbrisch - FM o99.5 © 1998 WERGO (WER 2054-2) edition zkm |
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| Interferenzen fixed media — approx. 48min for 8 acousmatic groups of loudspeaker Premiere on 17 October 1996 at the Zionskirche in Berlin |
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| studi & speaker fixed media — approx. 12min Music for the Acousmonium of the INA•GRM Premiere on 3 June 1996 at the Inventionen Festival Berlin (Parochialkirche)
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| Akustisches Wegeleitsystem sound installation — loop duration: 67min Installation commenced on 30 May 1996 in Singuhr - Hörgalerie in Parochial Berlin |
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ƒlöte, sounds & live-electronics solo work — approx. 12min for flute and live electronics Premiere on 12 May 1996 at Podewil Berlin released on : franz martin olbrisch - Craquelé © 2014 by Wergo — WER 67992 |
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| 1995 | senza fine fixed media — approx. 64min for 7 loudspeaker configurations Collaborative composition with students from TU Berlin Premiere on 10 November 1995 at Klangwerkstatt Berlin |
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| Zellophonie performance — approx. 24min Music for the performance of the same name by Gisela Weimann for percussion, violin, cello and playback tape Premiere on 27 July 1995 at Galerie Neue Räume Berlin |
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| Nun braucht er nicht mehr dem Brüllen zu folgen ensemble work — approx. 15min for voice, bandoneon, 3 percussionists, violin, piano and playback tape Premiere on 13 June 1995 at Ballhaus Naunynstraße Berlin |
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| 1994 | ![]() |
Drei Sätze für Klaviertrio chamber music — approx. 4min for violin, cello and piano Premiere on 6 December 1994 at the BKA Berlin (Unerhörte Musik) released on : modern art sextet - haiku © 1996 by Edel Contraire — 0085132ACA |
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Streichtrio chamber music — approx. 11min for violin, viola and cello Premiere on 5 May 1996 at the Museum of Modern Art in Freiburg im Breisgau |
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| 1993 | Renga sound installation — approx. 40min Collaborative composition with students from TU Berlin for 21 interactive loudspeaker channels Premiere on 3 July 1994 at the Berlin University of the Arts |
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| FM o99.5 fixed media — 2880min 48-hour radiophone installation in 83 parts for further information, see here Premiere from 15 to 17 October 1993 at the Donaueschingen Music Festival parts released on : Martin Olbrisch - FM o99.5 © 1998 WERGO (WER 2054-2) edition zkm |
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| No corras, ve despacio, que adonde tienes que ir es a ti solo! ensemble work — approx. 22min for flute, oboe, clarinet, violin, viola, cello, double bass, percussion & piano Premiere on 20 September 1993 at the Academy of Arts in Berlin |
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| 1992 | documentation sound installation First performance on 12 July 1992 at the 36th International Summer Courses for New Music in Darmstadt |
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| far(e) il capricci(o) ensemble work — approx. 11min for 5 violins, 4 cellos and string ensemble Premiere of the version for 5 violins and 2 violas on 11 November 1995 at the Kangwerkstatt Berlin |
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| Viele Menschen suchen den Ochsen, doch Wenige haben ihn je gesehen event — approx. 83min for 2 performers, slide projectors, cello, tuba, piano, perc, playback tape & live electronics Premiere on 26 January 1992 at the Inventionen Festival Berlin (Bauhaus Archive) |
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| 1991 | Differenzen (Fragments of a fantasy) ensemble work — approx. 13min for English horn, basset horn, bassoon, horn, 2 violins, viola, cello & piano Premiere on 14 February 1992 in the Chamber Music Hall of the Berlin Philharmonic |
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| …nothing… ensemble work — approx. 14min for clarinet/contrabass clarinet, bassoon/contrabassoon, tuba, percussion, piano & cello unperformed |
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| meson environmente — approx. 45min for 6 slide projectors, playback tape and live electronics Collaborative work with Beate Olbrisch Premiere on 15 June 1991 at the festival Bauhütte Klangzeit Wuppertal |
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| 1990 | ![]() |
3 Stücke für Didjeridu performance — approx. 12min
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Der gebrochene Spiegel Polyscenic musical theatre in twelve Images — approx. 152min based on texts by Rafael Alberti, Theodor Däubler, Günter Eich, Arno Holz, Juan Ramón Jiménez & Paul Scheerbart Premiere on 24 April 1992 at the Witten Days for New Chamber Music Image 10 released on : Dokumentation, Wittener Tage für neue Kammermusik 1992 © 1992 Kulturforum Witten — WD 03 |
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| 1989 | Im Anfänglichen läuft keine Spur – wer könnte da suchen event — approx. 80min for 3 performers, flute, saxophone, trombone, violin, percussion & live electronics Premiere on 28 May 1989 at the Neue Nationalgalerie Berlin |
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| 1988 | ![]() |
Voz inmensa ensemble work — approx. 8min for alto, baritone, flute, oboe/e.h., trumpet, trombone, violin, double bass & playback tape based on a text by Juan Ramón Jiménez (Concert version of the 9th Image from the musical theatre work Der gebrochene Spiegel) unperformed |
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Millionen Nachtigallen schlagen chamber music — approx. 12min for soprano, clarinet, bass clarinet, piano & playback tape based on a text by Theodor Däubler (Concert version of the 1st Image from the musical theatre work Der gebrochene Spiegel) Premiere on 10 March 1990 at Klangwerkstatt Berlin |
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su ensemble work — approx. 11min for flute, oboe, 2 clarinets, saxophone, trumpet, percussion, 2 violins, viola & cello (Concert version of the 10th Image from the musical theatre work Der gebrochene Spiegel) Premiere on 18 July 1990 at the 35th Intern. Darmstadt Summer Courses for New Music |
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Cadenza Solowerk — approx. 11min for saxophon solo Premiere on 10 May 1988 at the Curt Sachs Hall in Berlin |
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…hu ha… orchestral work — approx. 21min Concerto for saxophone and 24 instruments Premiere on 7 March 1988 at the Oldenburg State Theatre |
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| 1986 | ![]() |
Drei Phantasus-Gesänge ensemble work — approx. 21min for soprano, flute, 2 clarinets, trumpet, trombone, violin, cello & percussion based on texts by Arno Holz (Concert version of the 3rd, 6th and 11th images from the musical theatre work Der gebrochene Spiegel) Premiere on 16 April 1988 on Sender Freies Berlin |
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Toccata I Solowerk — approx. 11min for solo clarinet Premiere on 20 September 1986 at the Holy Cross Church in Berlin |
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| 1985 | Wandlungen ensemble work — approx. 14min for flute, oboe, clarinet, violin, viola, cello, double bass, percussion & piano Premiere on 21 October 1985 at the Otto Braun Hall in Berlin (Studio Neue Musik) |
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| 1984 | ![]() |
Trias chamber music — approx. 21min for violin, clarinet, saxophone & piano Premiere on 7 March 1985 at the Academy of Arts in Berlin released on : Anklänge (HdK 05) © 1987 Hochschule der Künste Berlin (Vielklang) — 8711 |
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| Epigenese ensemble work — approx. 11min for flute, saxophone, trumpet, cello, percussion & piano Premiere on 24 June 1984 at the Berlin University of the Arts released on : Instrumental- und Vokalmusik (HdK LP 4) © 1985 Hochschule der Künste Berlin (TELDEC-PRESS GmbH) — 66.23811 |
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| 1983 | Polarisation orchestral work — approx. 19min for orchestra : 3.3.3.3 - 4.3.3.0 - timp(1).perc(2) - strings (extended version of the Musik für Orchester) unperformed |
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| 1982 | Ambiente ensemble work — approx. 8min for flute, clarinet, trumpet, percussion, piano, viola & cello Premiere on 25 January 1983 at the Goethe Institute Athens (Greek Musical Workshop) |
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| Visionen ensemble work — approx. 7min for 2 violins, 2 violas, 2 cellos Premiere on 30 April 1983 at the Max Planck Institute Berlin (Studio Neue Musik) |
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| 1981 | Musik für Orchester orchestral work — approx. 13min for orchestra : 1.2.2.1 - 2.2.2.0 - perc(1) - strings 1. Gesang der Streicher; 2. Szenischer Tanz Premiere on 9 July 1982 at the Schützenhalle Hilchenbach |
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| Dance (previous title : Tango) fixed media — approx. 5min UA am 4.6.1982 beim Festival international des musiques experimentales Bourges |
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| Divertimento chamber music — approx. 11min for five woodwind instruments Premiere on 17 October 1982 at the 9th Stuttgart Musical Encounter |
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| 1980 | ![]() |
Horus Solowerk — approx. 7min 5 pictures for piano – (I = 1’ 30’’; II = 1’; III = 2’; IV = 1’ 45’’; V = 2’) Premiere on 25 July 1984 at the iaps-8 conference in Berlin |
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| 1979 | Transplus chamber music — approx. 10min for Flute, Viola & Cello Music for the short film of the same name by Alfred Olbrisch Premiere on 26 November 1979 at the University of the Arts Berlin |
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